Disappointing and overpraised third album. The vocal is distinctive, but the melodies are inaccessible and unmemorable. Goes in a progressive-folk/jazzy direction. ”Naiads Cassadies” and ”On Another Ocean” are quite beautiful. Maybe it's a grower.
Room 29 by Jarvis Cocker & Chilly Gonzales (2017)
Recommended by Rol at My Top Ten. Jarvis Cocker (of Pulp fame in the 90s) has a way with words that conjures images in your mind, such as the opener Room 29 and its lyric:
”The kind of lie that has the entire Western world agog.
Cos no one ever got turned on
By the Whole Earth Catalog”.
A verse that could be interpreted as negligence over pollution of the planet.
Tracks like Room 29, Salomé, The Other Side, and A Trick of the Light address television and what it does to us. The latter is the album's longest and my personal favorite. There are also a number of references to the Golden Age of Hollywood though I didn't figure out why.
Probably the most memorable of these lounge/piano tunes is Tearjearker, which hints at a soullessness and un-lived-in-ness of hotels: ”These surfaces are shiny. Anything wipes off them. These surfaces are hard. Nothing seems to mark them”. Yet you could also imagine the surfaces he speaks of are about the human condition, how hard our exterior is to outside influences.
Some listeners may feel the album at times is bordering on boring and non-music, with its spoken-word and minimal instrumentals. I look at it as a welcome change of direction, Jarvis’ vocal suits this low-key collaboration well.
Home Counties by Saint Etienne (2017)
There are good songs, but very patchy as an album experience. The first six tracks I found dull, thankfully there are 19 to choose from and does get better. Take It All In has a pleasing retro 60s sound that fits their style. Out Of My Mind, with its nostalgic 80s-era vibe, runs out of steam due to a repetitive lyric. After Hebden is my favorite vocal performance on the record. Heather wants to be moody yet misses the mark with the vocal. Train Drivers in Eyeliner suits Sarah Cracknell's voice much better.
Unopened Fan Mail is worth your time for the melody alone. Sweet Arcadia (a reference to the Arcadia Sweet Shop in Bedford) takes the listener on an intriguing spoken-word trip, reminiscent of album highlight Over the Border from their previous LP, but darker.
There’s an audience for Saint Etienne, otherwise they wouldn’t keep making albums. I couldn’t wholeheartedly get into it, the vocal is often lacking emotional resonance. The wittiness and message was not immediately obvious and maybe takes time to unpack. The group have said the album is about “the love/hate relationship people have with ‘home’ ", which in their case is the UK.
A Crow Looked at Me by Mount Eerie (2017)
The melodies are unremarkable and samey, but scores points for lyrically and vocally depicting the emotional turmoil of loss. The album has a timelessness and honesty.
On a day-to-day basis, it isn't something I would reach for, expect when dealing with the passing of family/friend.
Ti Amo by Phoenix (2017)
A light, summer pop album with Italian disco influences. I've listened a couple of times and plenty of replay potential, containing many pleasant moments. Best songs: Role Model, Goodbye Soleil, J-Boy, Via Veneto, Telefono.
To celebrate the release of the new album, check out a retrospective on their discography and my top 10 Phoenix songs.
Between Darkness & Wonder by Lamb (2003)
Atmospheric and melancholy. Electronic sounds mixed with orchestral instrumentation. I'm surprised Between Darkness & Wonder is among Lamb's lowest rated on RYM. A personal favorite with hardly any weak tracks.
Stronger is an empowering anthem, Angelica a beautiful instrumental. Till the Clouds Clear taps into not being able to let go of thoughts. I wouldn't listen often, but when I'm in the right mood this album hits the spot.
White Blood Cells by The White Stripes (2001)
Garage Rock Revival. The White Stripes' third album and considered their breakthrough. If you want guitar riffs, this is a modern band to seek out. Includes mostly rock with the occasional twee ballad diversion.
Highlights include We're Going to Be Friends, Dead Leaves and the Dirty Ground, Hotel Yorba, and Offend in Every Way. The latter is about the pressures of stardom and expectation.
(What's the Story) Morning Glory? by Oasis (1995)
Arguably the pinnacle of the Britpop era. The run from tracks 2-5 (Roll With It, Wonderwall, Don't Look Back in Anger & Hey Now!) is incredible, and also has one of rock's best closing tracks in Champagne Supernova. The lyrics have aged well considering it's 22 years old now.
Ten by Pearl Jam (1991)
The group's most commercially successful LP. Includes Black, arguably one of Pearl Jam's most powerful songs, which surprisingly wasn't a single. Alive and Oceans are other stand outs from their debut. Jeremy I find overrated.
If I'm critical, it's sometimes difficult to hear Eddie Vedder's words, and the album is very loud.
A Kind of Magic by Queen (1986)
I love the intro of Who Wants to Live Forever, and One Vision & A Kind of Magic are also Queen classics. The album is well-produced, but there are some skippable tracks and the lyrics tend towards platitudes at times. Don't Lose Your Head is a lesser known highlight. The Highlander soundtrack, also from 1986, includes a number of overlaps.
Zenyattà Mondatta by The Police (1980)
Despite the Grammy attention and critical praise, I found the album a bit boring. Can't really compare with other Police albums. There are glimpses of experimentation, but mostly plays it safe by sticking to a pop structure. Canary in a Coalmine is a decent attempt at reggae, but I prefer proper reggae artists. The recognizable singles Don't Stand So Close to Me and De Do Do Do, De Da Da Da I was already familiar with.
The Wall by Pink Floyd (1979)
A thought-provoking work with a handful of classic songs. I love the writing on this LP. Considered among the best double albums. The only weakness I noticed was some repetition of the instrumental sections, but that is hardly a flaw, as it gives the album a cohesiveness. The Trial sounds like it belongs in a West End stage musical.
Best tracks: Another Brick in the Wall Part 2, Hey You, Comfortably Numb, Run Like Hell.
Ambient 1: Music for Airports by Brian Eno (1978)
A relaxing ambient album. Good as background music for studying. The piano-driven opener 1/1 is beautiful and very tranquil. Tracks 1-3 are too long and repetitive, though this is by design. I find the wordless vocals of 2/1 and 1/2 overly cold and melancholy. 2/2 is a great closer, going in a synth direction with a melody that is harder to pin down.
Another Green World by Brian Eno (1975)
Considered a transitional work that bridges his earlier rock with subsequent ambient direction. I like Brian Eno as a multi-instrumentalist, less as a singer/songwriter.
The lyric "And I'll come running to tie your shoe" becomes annoying, but it's forgivable on an otherwise fascinating album of textures and instrumentals, which is atmospheric and varied. St. Elmo's Fire is probably the most pop-friendly. The trio of songs Golden Hours, Becalmed & Zawinul / Lava are beautiful. An album with lots of detail to unearth.
A Night at the Opera by Queen (1975)
I respect their talent, just wasn't for me. Couldn't stomach the over-the-top-ness and campiness. Only a couple of the songs I connected with emotionally, the masterful single Bohemian Rhapsody and the minor classic You're My Best Friend. Overall I found the album rather uninvolving. My rating is based on enjoyment, not the quality of the music. I might prefer Queen in moderation, a full album is a bit much.
The two classics (Gimmie Shelter & You Can't Always Get What You Want) that bookend Let It Bleed don't fit that well with the blues rock which the bulk of the album consists of.
Still, an entertaining listen. There's a feeling tracks highlight a different instrument, the harmonica-driven Midnight Rambler I enjoyed. An album with a lasting value and worth many plays.
The Velvet Underground by The Velvet Underground (1969)
Expected a rockier album, surprisingly restrained and minimalistic. Half of the songs are classics (Candy Says, What Goes On, Pale Blue Eyes, Beginning to See the Light, After Hours), and the other half are good.
Moving by Peter, Paul and Mary (1963)
Peter, Paul and Mary by Peter, Paul and Mary (1962)
What do you think? As always, comments are welcome